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Opera
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco
edward.maurath
0:36 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
Bass 7 0 1 3 56%
Harpsichord Treble 12 7 5 1 56%
Bass 5 0 2 2 56%
Soprano as
Apollo		 5 0 1 4 56%
Soprano
as Erato		 6 0 1 3 56%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
Elegy for Piano in Ab Major (By Richard Wilheim Wagner).
Jamie Holdham
2:00 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 6 6 6 100%
Bass 14 8 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 6 6 6 100%
Bass 14 8 2 4 100%
 
"Che sento Oh dio Morra Cleopatra ancora," from "Giulio Cesare in Egitto"
edward.maurath
1:17 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Harpsichord Treble 15 0 5 5 100%
Bass 15 0 5 5 100%
Celli Bass 15 0 5 5 100%
Kontrebaß Bass 15 0 5 5 100%
Violas 12 0 5 5 100%
Vln
1		 Treble 13 0 6 5 100%
Vln
2		 Treble 10 0 4 5 100%
Cleopatra Treble 14 0 6 3 95%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%
 
HWV17a1n29y1725 "Madre!"
edward.maurath
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 18 8 4 100%
Bass 9 0 2 3 100%
Violoncello Bass 9 0 2 3 100%
Sesto 11 0 4 3 93%
Harpsichord Treble 6 2 2 1 14%
Bass 2 0 1 2 14%
Cornelia 4 0 2 1 14%